An AI jingle generator for paid social and radio spots, usage rights included

General song generators hand you a two or three minute track, and then you are the editor: find 30 seconds that make sense, fade it, hope the cut does not land mid-word. A jingle works the other way round. It is written to the length of the spot, with the brand name placed where the ear expects it, a call to action sung last and an ending that actually ends.

That is how SingingAds writes. The lyrics are fitted to the exact length you pick, the brand name is sung at most three times, and every benefit line comes from your product page. You can rewrite the lyrics as often as you like before the song is made; a sung take costs 4 credits.

You may use what you make in ads and on social media, websites, radio and podcasts, for your own business or a client's, with no royalties. Two conditions: you must own the product or have the right to advertise it, and you are responsible for the claims your ad makes.

The music is made with Google's Lyria music model, and every song carries Google's SynthID watermark, an inaudible mark that identifies AI-generated audio. SingingAds does not clone voices or imitate real singers, bands or songs, so "make it sound like that famous burger jingle" is off the table. That limit protects you as much as anyone: a soundalike is the fastest way to a takedown.

Meta's Instagram Reels ad specs list licensed music among the things Reels ads should not contain, and recommend original audio or royalty-free music instead. A jingle written for your product sidesteps that question, and it is an asset that builds recall every time it runs, which a rotating stock track never does.

The same song file can run under your Reels ad, your TikTok ad and your YouTube Shorts ad, so the sound becomes part of the brand rather than part of one campaign. If what you really want is a short sung signature, read the sonic logo page; if you want the song to tell a story, see song ads.

• Radio: a 60-second take gives you a full spot (see radio ad jingles); a 30 works as a shorter flight or a tag on a live read.
• Podcasts: a 15 or 30 fits before or after a host read without stretching the break.
• Your website: the video can sit on a product page, and the song can sit under a homepage clip.

Lengths and what each one holds are broken down on the 15, 30 and 60 second page.

• Play it on a phone speaker. If the brand name blurs there, it blurs in the feed.
• Does the first line make your buyer feel seen before it sells anything?
• Does the ending land on a clean final hit, or does it feel cut off?
• Is anything sung that your page cannot back up? Flagged claims are listed for you.